Werner Herzog is a German filmmaker with a different style of directing. As a potential director myself, I find Herzog to be rather intriguing, to say the least, particularly with his approach in the film Stroszek. A few days ago I viewed this film with the commentary and discovered so much in depth of his vision. There are major sections in the film that is improvisational, completely off script. There are different locations in the movie that Herzog decided to capture in the spare of the moment. To put the cherry on top, out of all places in America to film a movie, Plainfield, Wisconsin was where he shot much of the film. Why not Chicago, Illinois? Why not Los Angeles, California? Why not New York City? I think Herzog had a perception of America being this place where immigrants come for that typical “Rags to Riches” story. Interesting enough, our main character’s dreams of success in America didn’t come true.
In chapter 5 of a reading titled, “Herzog on Herzog”, Werner said, “Musical influences have always been very strong, maybe the strongest. He went on by saying he does not read much, but when he does, it is always a very intense experience. He especially likes poetry by Holderlin. I thought that was ironic because I too am influenced by music. For the purpose of my final project, both poetry and music are deep elements to the entire project. Music and poetry does not just influence the piece, it is my piece. Herzog collaborated with magnificent artists, such as Bruno S, so will I. Jinglei Xiao, who is a classmate of mine, has agreed to collaborate with me on this project. With his extraordinary editing skills, and both of our creative minds, there’s no telling what the finished project will convey. However, I can say this much, it will be revelating.